Wednesday, June 28, 2017

Dr. Pierre-Marie Robitaille - solid Hydrogen lattice - data supports pseudo-metallic sun

c/o Robitaille 2014


and when you think of how Saturn or Jupiter are supposed to have been made, it all might make sense.

Brown dwarfs are plasmas ejected from stellar bodies, they quickly lose their high-red-shift values and start to glow based on electrical input from their surroundings. Matter condenses and brown dwarfs extinguish when they no longer have the electrical input of the entire universe forced upon them i.e. any capturing or parent star PROTECTS THEM from the stellar input; they become gas giants.

Robitaille contends that for larger plasmas ejected from galaxies the greater internal pressures under the same charge load turn their plasma surfaces into shifting planes of hydrogen solid. These planes seem to alter their relationship due to magnetic forces acting upon them, hence the recorded visual/spectral properties of the sun.

A star is a yet-to-be planet... inexorably bombarded with galactic charge and therefore kept in a semi-metal state. A liquid plasmatic glow mode from which matter would only condense once the electric charge to that anode has been extinguished.



"All my other 39 scientific papers on the Sun don't count, this is the important one," Robitaille 2014.

F.P. chit-chat: does this mean a supernova happens when charge is removed from that star? A supernova is not an exploding star, merely a starved one? At the point of charge-starvation is the condensing matter merely dispersing through the local galaxy like a perfume released into a room?

Thursday, June 15, 2017

Electric Universe - proto-Saturn - Ruler of Aquarius

Saturnian configuration prior to Solar incursion in 10,000 BC
before the Crescent of the Sun marked Saturn's eye


the obvious (mainstream) question, "Why Saturn? Why now?"

Good morning, readers of the Free Planet blog, as you can all see my love/hate relationship with this "brown-dwarf proto-Saturn was our ancient Sun" aspect of the Talbott/Thornhill electric universe continues...

Why Saturn?
Well, Saturn (not Uranus) is the ancient ruler of the Age of Aquarius.

Why now?
Well, we're just entering the Age of Aquarius.

Maybe the appearance of the slowly-rotating Solar Crescent upon the ancient polar proto-Saturnian configuration is why Saturn is known as the Bringer of Light, Satan's ancient name, messenger of its own doom?

If you listen to Gustav Holst's SATURN, about halfway through the flute comes in. Out in space where no one can hear you scream. Yes, the riff sounds just like it's been lifted from the fluty Alien:Covenant soundtrack. Or vice versa, as above so below, in the parlance of the game.


THUNDERBOLTS OF THE GODS: in case you've never seen the full documentary about the Electric Universe, this is the best place to start...



also: is the 'sun the smoothest place in the solar system' because it has endured aeons of galacto-electric ac machining, down to the atomic level?

Sunday, June 11, 2017

Mike Philbin abstract art - Wix site overhaul - 2016 and 2017 content update



I realised this morning that I hadn't updated my WIX art website for most of 2017, so I spent a few hours either side of lunchtime this Sunday adding new categories, new arrangments and new content.

The newer, shinier, smashingier Mike Philbin abstract art site, cheers wixy.

David Talbott - Thunderbolts Project - Saturn Ra Solar Battles

David Talbott, director of the Thunderbolts Project needs to put together a believable TIME-FRAME for his contention that, "Saturn was once our primary Sun."

How far back do we have to travel before our ancient Sun i.e. proto-Saturn, was captured by our current Sun. Are we talking aeons or millennia? Not millions, but thousands of years. These dramatic sky transitions were, after all, recorded by ancient petroglyph carvers and myth creators.

Mankind witnessed Our Alien Sky...


Sunday, June 04, 2017

Electric Universe - Hertzan Chimera Unit 2017 - reappraisal and reassessment



Back in 1985, I had a single dream about a waterfall...

Seriously, this is how my pseudo-physics entity, the Hertzan Chimera Unit, came about. I was nineteen years old, and knew no better. The HC Unit was about the size of a hydrogen atom, and chains of HC Units ninety degrees out of cyclic phase formed all the atoms. Four HC Units form the no-net charge Helium atom. Twenty form Neon. Vertices show mass, unused edges show electron shell totals, in the images below. Soon after posting my 'crazy concept' on one of the academic alt.physics.new-theories groups, Dementia13 magazine published my article HC Unit and Death of Big Bang.




It wasn't even a waterfall. It was the over-spill of Carr Mill Dam reservoir in St Helens, Merseyside, where I was brought up. The HC Unit was sitting there, in the middle of the concrete off-ramp, as the water poured past it. The HC Unit was spinning the water through its open tubing, clockwise then anti-clockwise. Periodically, the water would spill over the top of the tubing and be syphoned through the second (red. green curving) traps above and below the HC Unit schematic at the top of this post.

I took this to mean, "You only SEE the HC Unit when it is excessing like this," when the water is spilling out into the secondary channel. Or rather, "The HC Units only see each other, in their excess configuration," in that this is the window in which they have a chance to form strings of HC Units that might become atoms. I think the 'structure of the HC Unit' delays time around the flow, increasing or decreasing it relative to the original flow. Three (open-ended chains of) HC Units appeared to be the best way that larger chains could link.

I've tried various iterations of the HC Unit over the last thirty years and now it's time to wonder whether the Electric Universe might not be the best way to describe what's happening here. Flow of water past the pump relates to the twisting flow of charge-pairs through space. The HC Unit pump would push ether through its system at ninety degrees to the electric flow. Red, green excess is 'charge' but in a directional sense only, relative to the flow it's formed in. If planets, stars and galaxies form like glowing high-redshift string of pearls upon universal Birkeland Currents, why not atoms or HC Units? Electrical phenomena have been proven to be upwardly scalable, why not subatomically so?

Saturday, June 03, 2017

Rupert Sheldrake's rather positive appraisal of The Electric Universe.



here's very well respected author and physicist Rupert Sheldrake talking about “Breaking Scientific Taboos” wherein he offers his opinion of The Electric Universe, as currently pioneered by Wal Thornhill and David Talbott and the Thunderbolts of the Gods team.





FURTHER (ELECTRIC BRAIN) STUDY: in a later discussion, Sheldrake ponders the possiblity that the sun might be sentient. "We are, after all, the physical rendition of electrical exchange," so why shouldn't this kind of theorising on the 'consciousness of the Electric Brain' be debated in this way? Electricital or plasmatic effects are universally scalable, is consciousness also?

Think about it, "Messages from the Sun means, MESSAGES FROM THE ENTIRE UNIVERSE," potentially...

Friday, June 02, 2017

Free Planet - Brexit Elections - Borders to your Creativity, Passion and Kinship

world with no borders...


The first big talking point at the moment, of course, is Brexit, "How do we extricate our country from the roving European behemoth without totally screwing our economy?"

The second big question is, "Who will lead us through the tough negotiation period ahead, Labour or Conservative?"

Really?

That's where we are as a global race of EIGHT BILLION intelligent individuals? Country borders? Two-party system? Them vs Us? There is nothing more than "us". We are it. A global race, of individuals. We all represent the same pot of money, as (currently) defined by the nation's life-time work potential funding national insurance against loss. That's all you are, currently. A figure in a government's P&L or profit/loss account.

And what about YOU? What about YOUR Creativity? What about YOUR Passion. What about YOUR Kinship?

"How does that fit into YOUR fantasy of this so-called Free Planet?"

Monday, May 29, 2017

Mike Philbin - art - Twin Towers 1, 2 and 7



This most-recent tryptich has a title of "Twin Towers 1, 2 and 7", an obvious and unsubtle allusion to a) the twin towers or pillars of freemasonic egyptologicae and b) 911's impossibly disintegrating steel-framed sky scrapers.


Twin Towers 1, 2 and 7 explores that self-inflicted financial-wound masquerading as a live media-event that we've all (conveniently) forgotten about in the last decade or so because Drink More Coke, Eat More Snickers... look at this global distraction, stay afraid.Vote for Leaders, because they work. Empires never fail.


The virgin white-space is relevant to the 3,000 innocents killed in the name of Global Commerce or Grand Chess Game. The third colour shows the excessive tinkering from the Intelligence Services on behalf of Profit via Patent.


You KNOW in your heart of hearts that Commerce is the REAL CANCER upon this raped and pillaged world - one day you'll warrant in a Free Planet.

Saturday, May 27, 2017

Saturn Jupiter - the Hidden God(s) - bread corn from a truly alien sky



God Bless Them -- David Talbott and Wal Thornhill i.e. the Electric Universe people, go on about Saturn being our ancient bountiful sun that today's true-Sun relegated to a mere gas giant upon interstellar incursion... was there a time when BOTH Saturn and Jupiter were dual stellar-prominences in our skies? Solar twins i.e. the real Romulus and Remus of ancient Latin lore?

The vengeful and skittish stars (or Gods) that our recent ancients saw in the plasma-crazy skies appear to have been far closer to us than we see today. This video (for me) explains why the recent Sumerian Mala'Kak Engineer-language film Alien:Covenant actually contained an enigmatic field of 'bread corn' as the first discovery of Paradise.


Wednesday, May 17, 2017

Alien Covenant - Ferrari in Seattle - Ben Ben Sundisc Weyland-Yutani



is this guy onto something?

after watching this, check out his (other) Alien Covenant Cast vid...

Planet Free - World War - Britain Free



this commercialism-infested planet has been the victim of two recent world wars.

One between 1912-18.
One between 1939-45.

These wars have been marketed as political, or territorial. But they weren't really. All wars are banker wars, is how it goes. Even back as far as 1812-15, when Napoleon was hurriedly building his French Empire, the bankers have been funders of and profiteers from Global Annihilation of Tribalism. They used Intelligence to tell the City of London that Waterloo had been a French victory, crashing the UK market and ensuring their own wealth.

One World Under God is the general motto of the bankers, and 'god' in this context is Profit.

So, let's go back to the most recent world war and see how humans coped, in the face of reduced imports, in the face of 'a need to feed the many'.

We did okay.
We fed our children.
We retained our identity.

Sure, we achieved this under a War Monarchy, but we proved one thing. As a nation, we are a tribal community of self-sufficiency. We can make this island work for us. We are capable of isolationalist survival. And it's something we should think about. As a leaderless revolution is imminent. What we can do, as a nation of people who will get by, that will make this world a better place.

For all living creatures.


Monday, May 15, 2017

Aronofsky's Mother - Jennifer Lawrence - Javier Bardem

...mother!

I mean, what the heaven-mess is Darren Aronofsky's new film Mother! (starring Jennifer Lawrence and Javier Bardem) promising with a psycho-horror Gaia-sacrificial poster like this?


Ralph Ellis - Queen of Sheba - King Solomon...

another classy reinterpretation of Ancient Ancestors by self-published author Ralph Ellis where he tries to find the historical figures among the tangled lies that are delivered up as religious myth...

Relevant points of interest:

1) The Palestinians were (Paleset) Greeks kicked out by invading arabs
2) The Israelites refuse to admit their (Hyksos) Egyptian heritage
3) Iraq was pretty-much (Babylonian) Jewish until 1947

Damned interesting stuff, if you ask me...

Saturday, May 13, 2017

Alien Covenant review - Dave off, Sail fixings and Gloomy temples - Freemasonic tripe



The Ganesha or Elephantine "space jockey" from Alien (1979) was described as FOSSILISED i.e. had been dead for aeons, while his egg-cargo remained in laser-protected stasis. He was embedded i.e. built into, grown into, an integral cog in the hyperspace telescope machine and he landed that 'derelict' pretty carefully on LV-426 back in the day. Tell that fucking story!

No, that's not where Prometheus went, that's not where Alien Covenant went.

First of all: DAVE OFF...
you'all know the film Face Off starring Johnny Trav and Cagey, right... no it's not even connected to that. It's basically ALL THE EVIL-TWIN FIGHTS SCENES you've ever seen in a film already. Who will win? And do we really care? And (most importantly) will we be able to identify the victor come that really important time later on in the film when Real Trust might just become a narrative issue.

Secondly: SAIL FIXING...
sure, Gravity had its boring pointless self-absorbed moments, we all agree, but did Alien:Covenant (the film that's supposedly getting us to the answer to the long-awaited question, "Why did the Elephantine Space Trucker tidy-park his cargo-hauling space-croissant on LV426 in 1979?") really just spend upwards of half an hour fixing the solar sails of the Covenant space ship?

Did I really (as a cash-paying film-goer) need to see those lethargic golden sails open up like a view of the Giza Pyramid from above? Is it my role as a paying customer to sit through such Freemasonic dull symbolic trite?

Thirdly: PARADISE...
and by Paradise, I obviously mean 'the gloomy temple from long-ago ages' that David calls home. It was just all so gloomy, dank and despondent. Alien:Covenant is just dark, and by this I mean UNDERLIT in many of the scenes on the surface of Paradise (sic). Maybe it's a luminal-narrative trick - an illustration of David's personality - that he's come this low? This Lost....yeah, we get it, "Shelley is not Byron," and... damned narrative upgrades.

Alien was.
That was enough.
No need for Aliens' egg-laying Queen. Alien could already turn humans into facehugger pods by 'some sinister secretive process'. Everything since then has diminished and diluted the original biomechanoid concept of sexual nowness and transformation that Alien represented.

I was really waiting for the new-Xenomorph in the Covenant shower scene to somehow become like the invasive fingers-in-the-face in The Thing (1987). But more of a total-body Giger-moment where the man is quietly attacked from behind and the woman doesn't realise it's happened until 'much later in the biomech seduction  scene'.  The violent climatic PULLOUT would have been the couple's real 'undoing'.

I always thought the original Alien had the hellish property of being able to soften parts of itself like an Octopus to squeeze itself into those tight confines of the escape ship in the film's last reel.

Usually, having watched a good film, I come out of the cinema buzzing or morbid or paranoid or excited... something. With Alien:Covenant I came out feeling nothing. Nothing. I was actually glad to be no longer watching this film. I was out of there as soon as the credits started to roll. Years of expectation I will never get back....

Tuesday, May 09, 2017

art - Mike Philbin - Sexual Earthing 1 2 3

click to enlarge...


Why Sexual Earthing?

Well, it goes back to my earlier claim that, "I've always been an erotic painter," and this new series of 60x42cm emulsion on canvases reinforces that. Earthing because they were created outside; barefoot, where the exchange of body electrons with Earth electrons enhances the art. It's true. Always has been. Man is a Natural Creature, not an office lackey.

Personally, I like the way either side can be dominant depending on the conditions of application and weather etc...anyway, here they are in the flesh.

BONUS MATERIALS: since the creation of this blogpost, two more sets of art in this current style have been created and I share them with you, loyal reader of the Free Planet blog. Click to enlarge...

First, the set known as Erotomania 1, 2 and 3



Second, the set known as Satan Rising 1, 2 and 3


Sunday, April 30, 2017

Transformers 5 - Templar Excalibur - for ours to live yours must die!



I love (have loved all) these Transformers films, especially when they try to Templar-Excalibur the past in this (cynical) way. The Templar i.e. King Arthur, story of the near-Revolt of the King of Edessa against the unHoly Roman Empire in AD70 only came to the world via France in the twelfth century with the return (from modern day Palmyra, Syria) of 'some other story' that contradicts the official Josephus Flavius story of the birth of a Messiah. But what will Transformers 5 really reveal about the Egypto-Hyksos heritage of the Vatican City's favourite thorn-crowned poster boy? What truth will it really unveil to you, the general public?

On the subject of stolen worlds, "For ours to live, yours must die," is totally laughable when the only Real Conquest is the conquest of Under-Standing that Debt-Finance is the Great Demon upon this Free Planet.

Let non-financial 2017-18 be the year of Free Planet and end War World, for good.  :)






NOTICE: that all these 'gods' are shown on coins, coins are generally made of some precious metal, like gold, gold is the colour of the sun. But what if our original sun was a proto-Saturn i.e. purple dawn of creation... this is one of the most concise summaries of the whole Temple of Saturn nonsense, Mollock, call it what you like, Christianity or Christmas, why not...

Thursday, April 27, 2017

Alien Covenant - massive global message - What Is Real analysis



okay, here's THE REAL SHIT about the Alien: Covenant message, and it's a message on a global scale... and it involved our once-sun Saturn and all the Cassini's final plummet into the Saturnian atmosphere. Expect sparks and brighter-than-usual impact characteristics. Real Saturnalia...

Note: oh, is that Shaw drinking from the Holy Grail? Tee hee.... oh, and spoilers ahoy warning, as ever.





MASSIVE SPOILER WARNING: in case you're thinking of going to the cinema to see Prometheus 2 i.e. Alien Covenant, in a few weeks' time and don't want to witness ANY spoilers, please don't click on any of the The Crossing (Passover?) footage from Fox's recent Alien Day event.




LOYAL READER BONUS MATERIAL: and here's another of What Is Real's Alien Covenant analyses, I'm about to go read a lot more of this guy's work. He's properly in touch with the Esoteric or Occult i.e. hidden, realities of the Great Holy Wood wood-chucker.

Remember, thinkers: FOOD associates directly with KNOWLEDGE as with the Jesus feeding the 'five thousand' with two (Pisces) fishes and five loaves of bread story. Just one more taste of that forbidden black goo...

Tuesday, April 25, 2017

Free Planet - Diversity locations - Diversity languages

it's a question of diplomatic importance in a Free Planet - politeness.

Politeness is the basis of Language.

In a Free Planet, there'll be no such thing as global-speak and global-think, it will be a world of however many billions of re-wilded people living in tribelike roaming Diversities.

The only thing that will stop wars between these groups is Politeness, as conveyed via Language.

In a Free Planet everyone should know how to say Hello, Goodbye, Yes, No, Please, Thank you in as many languages as it takes to retain the Peace. There's nothing wrong with 'seeing how the others live' or 'walking in another man's moccasins'. It's important to UNDERSTAND how those other Diversities see the world.

Politeness is the only way forward, for a re-wilded Humanity.

Wednesday, April 19, 2017

jogging news - first real push - 2017 seven miles...



wow, that was hard, and what with 150,000+ steps already on my legs from last week's family walking holiday in Minehead... and it's a new record.

FIFTY THREE MINUTES, for my usual seven miles course around west Oxford's rolling hills. Warmed up with half an hour's yoga. Weather was perfect, sun breaking through light cloud. No wind.  No food since yesterday evening. One cup of coffee for upper's sake. Glass of water.

:)

art - Jeff Faust - floating bowls

another day, another artist, and yes I realise it's not the bowls that are floating...

delicious (and iconic) imagery from classy Californian artist, Jeff Faust:




Tuesday, April 18, 2017

art - Troy Brooks - femme fataliste

yeah, that's me indulging in blatant public Franglais, so what e-fascist-istas...

I suspect Canadian figurative artist Troy Brooks knows what I mean when I (try to) invent phrases like femme fataliste... to describe his astonishing and fascinating and haunting oils on canvas.






Monday, April 17, 2017

Happy Easter - Roman Empire Jesus - Egyptian Old Testament Moses



the following video explores the Flavian Christ AD 72 i.e. just after the crushing of the Jewish Rebellion in Jerusalem.

Key to the story, and missing from the following video, see following link, "Who was it whom Titus Flavius Josephus, 1st century Roman chronicler born Joseph ben Matityahu, had taken down from the crucifixion cross post-AD 72 Jerusalem-rebellion?" could it really have been King Izas Manu of Edessa? Vatican, open the doors of the (borrowed) Library of Alexandria and show your true Egypto-christian heritage.

Forty more years, or forty more days and nights, until the paying world awakens to the warrior game, the corporate fakery, the godmatic lie?





ADDITIONAL MATERIAL: and here's a scholarly examination of the Roman scribe Flavius Josephus...

Sunday, April 16, 2017

Ancient Time Lines - the Dark Ages - did we just lose 1,000 years of Human History?

2-wit 2-who

I don't know, it's just that 'they keep talking about the paucity of written documentation during the period of the 5th to the 15th century AD', and it got me thinking...

DID WE JUST LOSE 1,000 YEARS OF HUMAN HISTORY?

"Poppy cock," you're probably spitting out your Sunday morning cornflakes.

But think about it, and it's not like it hasn't happened before:
a) recent recalculations i.e. missing periods, in the Ancient Egyptian timeline where whole dynasties have been placed in the wrong order or removed completely because of some blasé historical agenda.

b) recent recalculations i.e. missing periods, in the Jesus timeline where the ages of the relevant events appear 32 years earlier than they should because of some blasé historical agenda.
c) recent recalculations i.e. missing periods, in the period of history we call The Dark Ages because of some blasé historical agenda.

Now, this isn't a new idea. There's something called the Phantom Time Hypothesis which concerns itself almost specifically with the 5th to the 15th century AD.

Remember, "History is Written by the Victors," but let's not be overly naive about this, history is rarely written in real-time. Take the Jesus story itself... the Gospels weren't written at the time of the Man's Crusade. There are no written logs glowing, "Went to a Jesus gig today, man that preacher rocked, I wonder if he'll be remembered as the best prophet in times to come," etc. Contemporary reviews of the actions of the man don't exist in the Historical Records either. Jesus, like the Dark Ages, wasn't chronicled. Didn't actually exist.

Until later, a long time later; when the stories started to appear: when the web of the legend spins. The Garden of Eden. The Ancient Greek Gods of War and Love. The Dinosaurs.

Yes, dinosaurs existed millions of years ago, right? If you can form a(n Electric Universe) mountain range in a few molten seconds... If you can increase a planet's gravity by decoupling it from one stellar host to another... If you can project backwards a timeline that never existed...

Then anything is possible, surely?

How old is this planet, and what role do we really have upon it?

Monday, April 03, 2017

Mike Philbin art - Introversions and Dichotomies 2017 - metallic paint gold and silver series

my gold/silver metallic paints eventually arrived direct from the paint manufacturer and, while the sun was out, I did some more pair paintings on stretched canvas.

The first one's a repaint with a lovely textured underpainting, as you can see...

2 x 100 cm by 30cm


The second one's a new paint on virgin canvas...

2 x 50 cm by 50 cm

Sunday, April 02, 2017

Pen art - Helena Hauss - Paris, France

yes, there are more-photorealist ball point pen artists out there, I've seen a lot of them, but this one really caught my attention.

witness the AMAZING penmanship of biro artist Helena Hauss from Paris, France.


I mean, just stunning work.



Thursday, March 23, 2017

Ridley Scott - Covenant poster - Aliens vs Engineers



"You want aliens, I'll give you aliens," that's what Ridley Scott said in response to the dearth of Giger material in his so-called prequel to his classic Alien (1979) i.e. Prometheus (2012).

And boy has he given us aliens (vs engineers) in this new poster for Alien:Covenant.


WEEK LATER UPDATE: recently shown secret footage at CinemaCon by Fox of Alien:Covenant suggests that this above image might actually be how one of the crucial scenes of the film might look... and that makes me VERY EXCITABLE.

Empire magazine just dropped an enormous A:C bombshell in the form of several images allegedly taken from the aforementioned CinemaCon footage... and it's chocks away old chap. Or rather, "Urns away!"

Wednesday, March 22, 2017

Scarlett Johannsen - Ghost in the Shell - first five minutes clip

MovieLad crop'd
I'm not sure if this is chronologically the 'first five minutes' of the new live-action Scar-Jo vehicle i.e. Ghost in the Shell, but I still want to see this movie for myself ... I want to make up my own mind about a celluloid/digital creation or re-creation/re-imagining of a classic slice of Manga-land ... and not listen to a load of politically-motivated whitewash-naysayers just because-Oblama because-Shillery because-Trumpage...

One day, they'll remake my favourite-of-all manga "Akira" in this physical-enhance-man'd manner... and this'll be one uber-happy northern lad who never grew old. :)


Electric Universe - The Big Gravity Problem - dinosaurs too heavy for today's gravity value



...well, that's torn it.

Electric Universe proponents have finally come out and made it public, "Dinosaur muscles and dinosaur bones, and cartilege and sinew, can not support the immense weight of these ancient giants in today's gravity," this means that (maybe more recently than we care to admit now) dinosaurs lived on a version of Earth that had a much lower gravity value.

EU's evidence suggests that there was recently a time in Earth's history when it existed inside the life-giving plasma sheath of a brown dwarf star (they choose the Solar System-invader Saturn based on its prevalence in mythic written/carved history) and would therefore have had less gravity either due to physical size which then had catastrophic amounts of matter added to it in a proto-Saturnian flare up or due to extra electro-magnetic effect on Earth's atomic-gravity conditions within proto-Saturn's plasma sheath.

Either way, "Let the debate begin," again ... we have to know if Electric Universe is the Great Awakening all the spiritually-minded prophets have been waiting for?




WEEKS LATER UPDATE: oh, okay, so here's the official follow-up to the above youtube... and (if the gravity of the Earth increased recently due to its electric decoupling from the proto-Saturnian red-dwarf intrusion into Sol-space) then maybe the dinosaurs were Gravity Killed recently too.


Monday, March 20, 2017

Gordon Keirle-Smith - Genesis Antarctica - The Secret Origins of Humanity



In 1974-5, artist and copywriter Gordon Keirle-Smith wrote a treatment for a trinity of novels called Genesis Antarctica: The Secret Origins of Humanity and submitted it (unsuccessfully) to a publisher.

In 1962 a cache of ancient urns was discovered in Antarctica dating back tens of thousands of years. They contained writings proving our ancestral myths and lore are actually rooted in the history and culture of a pre-glacial utopian civilization... [source AMAZON]

Forty years later, the Trinity is finally published in all its 777 page glory and it's prevalent to all kinds of Antarctic (pyramid, texts, lifeforms, technology) revelations that are coming to light in recent months via various disclosure routes.


Saturday, March 18, 2017

Michael Steinbacher - mountains don't slowly fold - mountains ACCUMULATE very rapidly

"... and the dolomite sits ON TOP OF the underlying limestone and shale."

The only way this can happen is a catastrophic layerings of welded tuff that is molten rock-dust laid downwind forming ridges and steep canyon walls.

This is not your comfortable fluffy millions-of-years of cosy sedimentary rock formation (and oil from dinosaur fossils) this is CAT-ASTRO-PHY from only a few thousand years ago... the sky boiling with black clouds of falling oil... due to some planetary interaction that caused swirling windy Birkeland currents that tore from the interactee (Venus or some massive cometary interaction) to the interacted i.e. our Earth.


Friday, March 17, 2017

Mike Philbin art - Introversions and Dichotomies 2017 - metallic paint gold and silver series

My abstract paintings, for the last 12 months have been exclusively (unvarnished (or ungel'd)) emulsion on canvas.
"Mike, why emulsion," why not gloss them up or add a gel'y covering to make them pop...

I don't want them to 'pop', "Art should remain in the background," art should be understated, mute, know its fucking place.

Until this last week or so, when I just tried it out, I bought these pots of metallic paint, larger than I normally choose, and was able to explore three paintings with the new medium. Silver and gold. I think (by the last image of three) I'm just about getting to sense what the material is capable of.

Glad I glam'd....


2 x 50cm by 50cm, metallic on canvas

50cm by 40cm, metallic on canvas
50cm by 50cm, metallic on canvas

Sunday, March 12, 2017

Thomas Sheridan - Occultic Dublin - Tales From the Black Pool


Thomas Sheridan takes the viewer on a personal journey around his hometown in the Irish capital, and shows us some of the many esoteric sites and psycho-geographic occult landscapes of this old and sometimes mysterious European metropolis.


THE NOTHINGNESS IS RAVENOUS



I just can't get it out of my head, there's nothing to our existence but 'being'... and it seems so obvious.

Everything else, everything except 'being', is just made up and false.

Your gods are false.
Your money is false.
Your freedom is false.

You (and me, even though at least I see it) are expendable slaves to some arbitrary invented non-reality, from which escape is a Gaming Theory design issue.





Saturday, March 11, 2017

Piers Corbyn - Timo Niroma - New Ice Age by 2031-35



the above apocalyptigraph was snatched from the following video presentation given by Piers Corbyn (Jeremy's older brother) at an Electric Universe conference in 2014.

And do you know what, I don't even care if you don't read Spanish, "You don't need to..." just understand that Corbyn's presentation below is all about repeating patterns through Recorded Weather History and the above apocalyptigraph is just a simple observation of the 221 year gap between similar Historical Solar-Weather Cycles i.e. recorded sunspot activity. It looks like the years 2031-35 might be THE COLDEST ON RECORD since the turn of the last century. I'm off to start my woolly coat and wolly mittens and woolly underwear manufacturing plant; stitchers and fleacers apply here, accepting orders early, stock market options afloat as we speak...

Okay, I confess, I'm aping brother Corbyn's Martini-dry humour but his own SLAT model has made many accurate Sun-Moon-Weather predictions to date... enjoy the CIA or Coming Ice Age.




POST SCRIPTUM: reinforcing the statements made about about the next 20 years of solar activity, the sun is going to sleep - via Suspicious Observers...


9/11 - Sydney White - Studies in Propaganda i.e. nothing just happens

in her 'seventeenth year' delivering such material to her captive audience, investigative journalist Sydney White talks 9/11 Studies in Propaganda @ Truth Decay.

Quite the historical eye-opener...





GAGE AND A&E 911: and have this, for jollies...

Tuesday, March 07, 2017

Ancient Stone Monuments - cuts from the future - supertechnologically sliced and drilled

Prepare yourselves,

a) this is obviously a Russian investigation into ancient high-technology stone-cutting tools that someone has over-dubbed in English at their own leisure, so give it some slack because it contains excellent world-wide examples of stone cut in ways that are not-achievable today.

b) like a magical chrome wand, the hand-held ancient stone tool seems to have been drawn dowon vertically through a wall of SOLID ROSE GRANITE at Karnak Temple like it was warm butter to a thickness of less than a tenth of a millimeter at its tip...


Monday, March 06, 2017

Wal Thornhill - Electric Universe - Global Warming Not Man Made

Finally, notwithstanding the sterling contributions from Thunderbolts Project regulars Bishop Nicholas Sykes and Eugene Bagashov, Wal Thornhill is back (yay) with a new discussion about SPACE WEATHER and how it relates (directly) to what used to be called Global Warming.

And it ain't nuthin' to do with no 'nukular sun' nor human exhalationsss...


Saturday, March 04, 2017

2017 the Search for Answers to more Questions.

this year, one should like to see 'some form of resolution to' a number of issues, listed below:

a re-painted image from early 2016
 
1) thirty-year anniversary-exhibition of my 2016-onwards abstract paintings.
My first one man show of thirty-two life-size psycho-figurative oil paintings was at St Helens Museum & Art Gallery in 1987. NB: while I didn't like the painting above (it was too early in the slow progressive phase of the 2016-paintings, too radical a development of both colour and form) I still believe this painting holds many of the keys to the forthcoming 2017-paintings in this abstract series. It's loss will be my art-gain. All in good time.

2) Free Planet becomes a worldwide phenomena.
War World (your current corporate horror world) must be allowed to crumble, organically... what happens then is up to You The People of all nations, a global agreement for our children's children.

3) Wilson/Blackett's Kings Arthurs I and II and so-called British History.
While I still have my doubts, I want closure on this very-intriguing concept that Arthur I and Arthur II really did protect the nation from many phases of invasion. Maybe also that they were wiped out by a massive meteorite in 562 AD allowing Anglo-Saxon spread into desolated lands of central England.

4) Thornhill/Talbott's Electric Universe, Electric Sun and proto-Saturn.
Electric sun, why not.
Electric universe, makes sense.
But proto-Saturn as the STARaround which the dinosaurs and (ultimately) modern man evolved... the jury needs more time to consider its verdict.

5) Ancient Stone-cutting (laser or sound) Cutting:
and then there's this, a massive stone open box cut from a lump of (7/10 on the Mohs-scale) rose granite in 2,000 BC that's impressive enough in itself, but then there's the back of the thing and potential evidence of stone-slicing technology that's the equivalent of 'a hot knife through butter'...


Thursday, March 02, 2017

Jay Dyer - Sunday Wire - Covert COINTEL Deception

it's been a while since Free Planet was openly (or knowingly) Political, but this two-hour discussion of cynical global trans-atlantic corporate-gov cointel-pro activities is well worth your time and effort.

In the first hour we’re joined by special guest and 21WIRE contributor, Jay Dyer, author of the new book, Esoteric Hollywood, to discuss the ‘Social Justice Warrior’ propaganda in Hollywood’s new Star Trek blockbuster release, and a deeper look at Tragedy and Hope, as well as the history and present-day manifestations of COINTEL PRO and controlled opposition in both US and European politics and deep state geopolitics. [c/o 21WIRE]

Get learned up, ffs.



Monday, February 27, 2017

dreams - goat-human hybrid - talking child

from about 3 a.m. until about 5-6 a.m., four intense and visually/narratively memorable dreams.

In the fourth (on a walk) I happened upon the goat-human hybrid child munching away on grass at the front of a residential property by the roadside.

The front door of the cottage was open - that imagery again.

I spoke to the woman about her lovely young animal grazing happily. It started to nuzzle me and I realised something about it. It was a hybrid. It had the look of a goat, the four legs and the fur. But it had aspects of a human face, especially the hybrid nostrils. Then it talked to me. As if I were the first stranger it had ever bonded with to reveal such about itself...

It was a strangely emotional meeting/introduction, and I knew it. This was a hybrid child and I told the woman it had to go on television so all the world should know that these things exist. I know I have to keep my eye out for anything strange today that might allow that 'goat-human' to get his story onto TV.

The Previous Three Dreams: well, details withheld, the third dream was a retelling of the first dream to a character who was central to the first dream. I remember telling the same person that I'd just dreamed about them, in the earlier dream. Also, I was offered a metal coin (in the first dream) which I had to sign MIKE with a corrosive pen. In the third dream, I showed the person my corroded fingertips.

Both 1b and 37 Elizabeth Road, Haydock, where I've lived as a child, featured. As did a dead relative and her dog.


Sunday, February 26, 2017

Electric Universe - Kongpop U-yen - Space Weather Forecasting

"Stick with it," that's what I'm saying...it's well worth it.

KongPop U-yen isn't the most self-confident of presenters but his post-storm earthquake-prediction space weather theory are second to none. Could be the best Electric Universe presentation the Thunderbolts Project have ever uploaded to their youtube channel.





Free Planet Summary: while this is all well and good, "We still don't have a global solution to catastrophism," and by this I mean that we're still building 'solid structures on solid ground' be that roads or tunnels or homes or businesses. And history is proving 'time and again' that this so-called solid ground is actually a highly unstable third-harmonic resonant system based on the sunspot whim of our current parent star, the Sun.

Only when we are QUAKE-proof and FLOOD-proof and PLASMA-proof (and SLAVERY-proof) can we state that we are truly inihabitants of a Free Planet. And this means bringing down all borders so that we have a truly mobile populace able to relocate itself at a moment's notive to 'allow a devastated area to re-plenish organically' should the need arise, following some massive global/local disaster.

Societies don't need 'empire countries'.
Societies don't need 'capitalist infrastructures'.
Societies need people... full stop.

We need to be a Prepared Race of People: a planetary species ready (and able) to help our neighbours all round the world. At any given time. No debate. No discussion. No deals or favours traded.

Wednesday, February 22, 2017

David Talbott - Discourses on an Alien Sky - the recording of prehistoric man

best part from the 26-part catastrophy-catharsis Discourses on an Alien Sky by David Talbott.

Is this REALLY how our skies used to look to our ancient ancestors? Wild...


Sunday, February 19, 2017

Christopher Bollyn - the legacy of 9-11 - business as usual @ W.H.

I have a dream...



so, you're (probably) wondering, "Mike, why are you still droning on about 9-11?" and here's why... nothing will ever change, the Machine! of War! will always Profit!

Until we the people stop funding these amoral gameplayers with our TIME on this Free Planet.


Mike Philbin art - Introversions and Dichotomies - new 2017 art/concept

so, after spending most of January 2017 re-painting some 2016 paintings I wasn't too happy with, I finally got down to making some new art for 2017 on a theme of tandem squares.

Five abstract pieces 60 cm by 30 cm, emulsion on canvas.